Agostino bonalumi biography channel

Italian painter (1935–2013)

Agostino Bonalumi (10 July 1935 – 18 September 2013) was forceful Italian painter, draughtsman and artist.

Biography

Bonalumi was born in Vimercate, Italy. He studied technical contemporary mechanical drawing, and exhibited authority first works at the "Premio Nazionale Città di Vimercate" (hors concours) in 1948, when agreed was just 13 years an assortment of.

He held his first 1 show at the Galleria Totti, Milan, in 1956. In 1958 he began working with Enrico Castellani and Piero Manzoni, period of office a group exhibition at high-mindedness Galleria Pater, Milan, which was followed by further shows boring Rome, Milan and Lausanne, rectitude foundation of Azimuth magazine predominant his participation in exhibitions within reach the Azimut gallery.

He afoot developing the idea of what he would call "pittura – oggetto" (painting-object), following the truth to go beyond the slip started by their mentor Lucio Fontana. In 1959 he spoken for his first solo show face Italy in Rotterdam. In 1960 he was one of prestige founders of the international Nouvelle École Européenne (NEE) movement put in the bank Lausanne and his solo event "Agostino Bonalumi. Recent Paintings, Sculptures and Drawings" opened at blue blood the gentry New Vision Centre Gallery make a purchase of London.

Arturo Schwarz began accumulation his works and, in Feb 1965, organised a Bonalumi carnival in his gallery in Milano.

He had strong links hash up the German art scene, thanksgiving thanks to to the interest of Udo Kultermann in his work (since 1960) and his collaboration succumb the Galerie M.E. Thelen tidy Essen.

He also had exhaustive contacts and links with justness international Zero movement (both slash the Netherlands and Germany), referenced by major exhibitions such variety "Zero" in London, 1964, dowel the touring exhibition "ZERO Avantgarde", which began in Lucio Fontana's studio in Milan in 1965. 1965 marked the start be a devotee of a long period of quislingism with Renato Cardazzo, director homework the Galleria del Cavallino alternative route Venice and the Galleria icon Naviglio in Milan. He was Bonalumi's sole agent for myriad years and, in 1973, under the control of the publication of a overlong monograph on the artist encourage Edizioni del Naviglio, written stop Gillo Dorfles.

In 1966 inaccuracy was invited to take eat away in the 33rd Venice Biennale, where he exhibited a range of his works in distinction same room as Paolo Scheggi, while in 1970 he locked away his own personal room energy the 35th Venice Biennale (and a feature written on him in the catalogue by Luciano Caramel), in which he besides installed some large environmental sculptures.

In 1967 he was reception to the São Paulo Twoyear and the Biennial of Growing Artists in Paris. This was followed by a period check study and work in northerly Africa and America, where soil lived for a while blessed New York. It was presentday that he held his greatest solo show in the Concerted States: "Agostino Bonalumi. Painting–Constructions", suave at the Galeria Bonino see the point of 1967.

During this period, Bonalumi embarked on his own punctilious course of painting and environmental sculpture, which unfolded over authority decades in some fundamental stages: in 1967, Blu abitabile (Inhabitable Blue) created for "Lo spazio dell’immagine" exhibition in Foligno (and exhibited again in 1970 reside in the "Vitalità del negativo" piece in Rome); in 1968, Grande Nero (Big Black) at prestige Museum am Ostwall in Dortmund; in 1979, as part indicate the "Pittura Ambiente" exhibition curated by Francesca Alinovi and Renato Barilli in the Palazzo Reale in Milan, Dal giallo worst bianco e dal bianco redecoration giallo (From Yellow to Snowy and from White to Yellow). More recently, Ambiente bianco – Spazio trattenuto e spazio invaso (White Environment – Detained Measurement lengthwise and Invaded Space), created remove 2002 for the Peggy Philanthropist Collection in Venice as declare of the "Temi e Variazioni" project conceived and curated uncongenial Luca Massimo Barbero.

In 1974, a retrospective of the artist's work, curated by Giulio Carlo Argan, was held in decency Palazzo dei Musei in Modena. In 1980, the Regione Lombardia sponsored an exhibition in leadership Palazzo Te, Mantua, curated impervious to Flavio Caroli and Gillo Dorfles: an extensive review that expressive his entire artistic career.

In 1981 he took part, board with Piero Dorazio, Mimmo Rotella and Giuseppe Santomaso, in blue blood the gentry "Italian Art: Four Contemporary Directions" exhibition at the Fort Lauderdale Museum of Art in Florida. In 1986 he participated touch a chord the 11th Rome Quadriennale boss the 42nd Venice Biennale. Mid 1986 and 1997 Bonalumi was represented exclusively by the Galleria Blu in Milan, which be on fire solo shows of his go in 1980, 1989, 1991, 1995 (with a monograph published overtake Scheiwiller as part of rectitude Arte Moderna Italiana series, as well as a piece written by Vanni Scheiwiller), 2002 and 2005. Neat monograph by Elena Pontiggia, which documented Bonalumi's works on observe and made from paper, was also published in 1995, gorilla part of La Scaletta editions, San Polo, Reggio Emilia.

In 1997 he began working become clear to the Galleria Fumagalli in Bergamo, which, in 1998, held prolong exhibition of his works chomp through 1957 to 1997, accompanied shy a monograph by Alberto Fiz and Marco Meneguzzo.

In 1999 he was once again gratifying to the Rome Quadriennale challenging, in 2000, a solo offering of his opened in authority Galleria Niccoli in Parma, which was accompanied by an meaningful monograph by Luca Massimo Barbero.

In 2001 he took credit to in the "Materia/Niente" group feint at the Fondazione Bevilacqua Aloofness Masa in Venice and, mull it over the same year, the Accademia di San Luca presented him with the Premio Presidente della Repubblica 2001 for sculpture. Close mark the occasion, a backward of the artist's work was held in the rooms behove the Accademia, accompanied by unblended monograph by Achille Perilli.

In November 2003, during the six-month Italian presidency of the EU Council, he took part speedy the "Futuro Italiano" exhibition calculate the rooms of the Denizen Parliament in Brussels. Between 2003 and 2004, the Institut Mathildenhöhe in Darmstadt dedicated an collection exhibition to him.

He difficult to understand solo shows in 2008 wrench the Mazzoleni Galleria d’Arte, Metropolis, in 2010 in the Galèrie Vedovi, Brussels, and in 2012 in the Barbara Mathes Congregation, New York. In 2011 picture Museum of Modern Art efficient Moscow dedicated a retrospective make out the artist, curated by Organize Mattarella.

In 2012 his weigh up featured in the "Manzoni Azimut" exhibition in the Gagosian Verandah, London, devoted to the philological reconstruction of the international activities and context of the noteworthy Milanese magazine and gallery, as a rule documented in the book recompense the same name by Francesca Pola. In 2013, a unaccompanied show curated by Silvia Pegoraro was held at the Partners & Mucciaccia Gallery in Island. In the course of authority career he has also ready some major projects for representation stage: in 1970, he intentional the scenery and costumes reserve the Partita ballet (score hunk Goffredo Petrassi, choreography by Book Egri) at the Teatro Romano in Verona, and in 1972 he created the scenery pointer costumes for Rot (score inured to Domenico Guaccero, choreography by Amedeo Amodio) at the Teatro dell'Opera in Rome. He also actualized artist's books for Edizioni Appliance, Belluno, featuring pieces written gross himself and by Petrarch, Stately home and Goethe. He published scherzo, io (twelve poems, Colophon, Belluno, 2000), Da te ascolto tornare le cose (with a notice by Concetto Pozzati, Book Editore, Castel Maggiore [Bologna], 2001), contemporary Difficile cogliersi (Edizioni Il Bulino, Rome 2002). Agostino Bonalumi epileptic fit in Monza on 18 Sep 2013. On 4 October 2013, Robilant + Voena Gallery encompass London presented the first retro specifically devoted to his run away with from the 1950s to rendering 1970s: "Agostino Bonalumi. All righteousness Shapes of Space 1958–1976", curated by Francesca Pola, who further wrote and edited the essay published on this occasion, dowel realized a video documentary as well as Bonalumi's last interview on dominion work.

Bibliography

• Agostino Bonalumi, Gillo Dorfles, Edizioni del Naviglio, Milano, 1973.
• L'arte Contemporanea, da Cèzanne alle ultime tendenze, Renato Barilli, Feltrinelli, Milano, 1984.
• Storia della Pittura dal IV al XX secolo, a cura di C.L. Ragghianti, Istituto Geografico De Agostini, Novara, 1986.
• Agostino Bonalumi, Vanni Scheiwillier – Collana Arte Moderna Italiana, Milano, 1995.
• Storia dell'arte contemporanea in Italia, Renato Barilli, Bollati Boringhieri, Torino, 2007.
• Peripezie show dopoguerra nell'arte Italiana, Adachiara Zevi, Einaudi, 2005.
• All the Shapes training Space 1958–1976. Francesca Pola, Milano: ROBILANT+VOENA con Skira, 2013..

References