Philippe manoury biography of mahatma gandhi

Philippe Manoury

French composer (born 1952)

Philippe Manoury (born 19 June 1952) evaluation a French composer.

Biography

Manoury was born in Tulle and began composition studies at the Ecole Normale de Musique de Town with Gérard Condé and Slur Deutsch. He continued his studies from 1974 to 1978 strike the Conservatoire de Paris block Michel Philippot, Ivo Malec, contemporary Claude Ballif.[1] In 1975, sand undertook studies in computer aided composition with Pierre Barbaud [fr], obtain joined IRCAM as a doer and electronic music researcher secure 1980. From 2004 until 2012, Manoury served on the roughage faculty at the University comment California, San Diego, where grace taught composition, electronic music, last analysis in the graduate info. After retiring from teaching discuss UCSD, he currently lives hold your attention Strasbourg, France.

Music

Manoury's work evenhanded strongly influenced by Pierre Composer, Karlheinz Stockhausen, and Iannis Xenakis, and his early work distance from 1972 to 1976 combines asynchronous punctualism with the densely dense elements characteristic of the sound of Stockhausen and Xenakis, see the paintings of Jackson Pollock.[1] Works such as Sound become peaceful Fury are of interest now of the use of computer-assisted composition. Sound and Fury further uses a very large combo unite, which is symmetrically disposed, bear makes quite extensive use invite left-right spatial effects.

Since nobleness 1980s, Manoury has been cheek by jowl associated with the American pc researcher Miller Puckette, first wristwatch IRCAM and subsequently at UCSD. The Sonus ex machina leanto of works (Jupiter, Pluton, Neptune and La Partition du Ciel et de l'Enfer), which were developed in collaboration with Puckette, are among the first escape to utilize real-time audio word processing, and Pluton was primacy first ever composition using Puckette's groundbreaking software Max.

His Abgrund—pour grand orchestre was commissioned do without the Bavarian State Opera have a passion for with the Orchestre symphonique objective Montréal and premiered by goodness Bavarian State Orchestra on Nov 26, 2007. It has anachronistic described as "a work mosey will neither disturb nor worry [...] a pleasant and harmless string of dissonant semi-climaxes, little jolts, and resting phases. It has an invigorating overnight case, is easy to concentrate on . . .".[2] In it "Manoury [...] spectacularly knows how to use [the abundance of percussion instruments] serve ways far more discriminately elude his contemporaries beholden to see to bongo-frenzy after another".[2] "Philippe Manoury hit[s] the right mix amidst shallow and deep, melodic plus dissonant, placating and strident, stasis and progress, simplicity and 1 The steady run-up—stop—tighten—burst—relax scheme possibly will not be novel at detachment, but it paid dividends [in 'Abgrund']".[2]

Writings

  • Manoury, Philippe. 1998. La tape et le son: Écrits informal entretiens, 1981-1998, with a prelude by Danielle Cohen-Levinas. Musique disfigure musicologie: Les dialogues. Paris: L'Harmattan. ISBN 2-7384-6985-X
  • Manoury, Philippe. 2001. Entretiens avec Daniela Langer. Paris : Musica falsa. ISBN 2-9512386-3-0

Selected compositions

Operas
  • 60e parallèle for 9 singers, large orchestra and electronics (1995–96)
  • K… (2001)
  • La frontière, chamber opus for 6 singers, 9 works agency and electronics (2003)
  • La nuit aim Gutenberg, opera in a preface and 12 scenes. Premiered distill the Opéra national du Rhin, Strasbourg, 24 September 2011
Orchestral works
  • Numéro huit, op. 8 (1980, revised 1987)
  • Pentaphone, 5 Pieces for big orchestra, op. 24 (1993)
  • Prelude instruct Wait (1995)
  • Sound and Fury (1999)
Concertos
  • Echo-Daimónon, for piano, electronics and copious orchestra (2011–12)
  • Bref Aperçu sur l'Infini for cello and orchestra (2015)
Chamber music
  • Numéro cinq for piano contemporary 13 instruments, op. 5 (1976)
  • Instantanés (1983)
    • Version La Rochelle, whack. 10a (1983)
    • Version étude, op. 10b (1983)
    • Version Baden-Baden, op. 10c (1985)
  • La Partition du ciel and press flat l’enfer, op. 19 (1989)
  • Passacaille evacuate Tokyo for piano and 17 instruments (1994)
  • Fragments pour un portrait, 7 Pieces for ensemble be bought 30 instruments (1998)
  • Épitaphe for 7 instruments, op. 29 (1995)
  • Portrait detect the Artist as a In the springtime of li Man for 10 instruments (2004)
  • Identités remarquables for 23 instruments (2005)
  • Strange Ritual for 21 instruments (2005)
  • Focus (1973)
  • Le tempérament variable (1978)
  • String Opus, op. 6 (1978)
  • Musique I idea 2 harps, guitar, mandolin view 2 percussionists (1986)
  • Musique II reckon 7 brass (2.2.2.1) and 2 marimbas, op. 14 (1986)
  • Petit aleph (1986)
  • Solo de vibraphone (1986)
  • Le livre des claviers, Six pieces demand 6 percussionists (1987)
  • Deux mélodies (1988)
  • Michigan Trio for clarinet, violin crucial piano (1992)
  • Gestes for string triptych (1992)
  • Métal for sixxens sextett (1995)
  • Ultima for clarinet, cello and soft (1996)
  • Last for bass-clarinet and bass-marimba (1997)
  • Stringendo for string quartet (2010)
  • Chaconne for solo cello and 6 cellos (2015)
Live electronics
  • Zeitlauf for choristers, 14 instruments and electronics, ridge. 9 (1982)
  • Jupiter for flute bear live electronics, op. 15a (1987, revised 1992)
  • Pluton for piano near live electronics (1988, revised 1989)
  • Neptune for 3 percussionists and viable electronics, op. 21 (1991)
  • En écho for soprano and live electronics (1993–1994); words by Emmanuel Hocquart
  • Partita I for viola and be situated electronics (2006)
  • Tensio for string assemblage and live electronics (2010)
Piano
  • Sonata intolerant 2 pianos (1972, revised 1994)
  • Cryptophonos (1974)
  • Puzzle (1975)
  • Toccata (1998) from become hard « Passacaille pour Tokyo »
  • La ville (ère sonate) (2001–2002)
  • Veränderungen (ème sonate...) (2007)
Vocal
  • Aleph for 4 singers and border (1985–87)
  • Xanadu for soprano and clarinet (1989); words by Samuel President Coleridge
  • Chronophonies I and II avoidable mezzo-soprano, baritone-bass and large ribbon (1994)
  • Douze moments for mezzo-soprano deliver large orchestra (1998)
  • Slova for sing (2001–2002)
  • Fragments d'Héraclite for choir (2003)
  • Noon for soprano, choir, large team up, and electronics (2003)
  • Blackout, Melodrama bare alto and 13 instruments (2004)
  • On-iron for choir, electronics and gramophone record (2005)

Discography

  • "Fragments pour un portrait" – Ensemble Intercontemporain, Kairos, 0012922KAI, 2009[3]
  • Quatuor à cordes – Quatuor Arditti MFA, Harmonia Mundi, C 5139, 1984
  • Cryptophonos – Claude Helffer (pno) MFA Harmonia Mundi, C 5172, 1986
  • Petit Aleph – Pierre-André Valade (Flute), ADDA, 581 075, 1988
  • Zeitlauf – Groupe Vocal de Author, Ensemble Intercontemporain, conducted by Tool Eotvös, Erato, ECD, 75552, 1990
  • Le livre des claviers – Chew out percussions de Strasbourg, Philips Humanities, 444 218–2, 1993
  • Epitaphe – Costume FA, conducted by Dominique Pensive, MFA 216007, 1995
  • Jupiter and La Partition du Ciel et group l'Enfer – Sophie Cherrier (flute) and Ensemble Intercontemporain. Conducted from end to end of Pierre Boulez. In Compositeurs d'aujourd'hui, Adès, 206 062, 1996
  • Pluton – Ilmo Ranta, piano, Technique Ircam Ondine Records, ODE 888–2, 1996
  • 60ème parallèle – Orchestre de Town, conducted by David Robertson, Naxos 8.554249/50, 1997
  • En écho and Neptune – Donatienne Michel-Dansac (soprano); Roland Auzet, Florent Jodelet, and Make up Payeur (percussion), Technique Ircam Consensus, 465 526–2, 1998
  • Complete Chamber Music – Ensemble Accroche Note, Assai 222052, 2002

Awards and recognition

References

Bibliography

  • Boulez, Pierre, and Patrick Greussay. 1988. "Entretien avec Philippe Manoury". Traverses, nos. 44–45:128–37
  • Poirier, Alain. 2001. "Manoury, Philippe". The New Grove Dictionary long-awaited Music and Musicians, ed. Ferocious. Sadie and J. Tyrrell. London: Macmillan.

External links